Teaching

Peter Darling

April 3, 2013 by

A conversation with Matilda’s choreographer
Peter Darling doesn’t consider himself a whiz when it comes to working with children. “I suppose I just think of them as very small adults,” he says candidly. But the British … Continue reading

Character Building

April 1, 2013 by

Coaching the artistry of three popular ballet variations
In a professional production, Giselle’s Act I variation is set in a small forest village. Trees and a cottage fill the scene as she joyously dances for family … Continue reading

Arturo Fernandez

April 1, 2013 by

Music for ballet class
At first glance, Arturo Fernandez’s ballet class seems like any other. But by the end of barre, the dancers have explored their complete range of motion, transitioning between parallel and turnout. In … Continue reading

Measuring Success

April 1, 2013 by

A Memphis arts assessment pilot program tracks K–12 teacher performance.
How do you measure a teacher’s job performance? The Memphis school district has taken on that sticky and sometimes contentious question, piloting a solution last year … Continue reading

Technique: Alee Reed

April 1, 2013 by

How I teach ballroom dance
On a gray Sunday afternoon, about 30 teenagers from all five New York City boroughs pile into a midtown Manhattan dance studio. Adele’s “Rumor Has It” plays from speakers, and with … Continue reading

Pilates Anatomy

March 1, 2013 by

Pilates Anatomy: Your illustrated guide to mat work for core stability and balance
By Rael Isacowitz and Karen Clippinger
Human Kinetics, 2011
204 pages
Ideal for a Pilates instructor or general practitioner, Pilates Anatomy is an informative and comprehensive … Continue reading