Next weekend (Oct 19–20), Jazz Choreography Enterprises will present the New York Jazz Choreography Project at Manhattan Movement & Arts Center. The adjudicated jazz dance concert is held twice each year as an opportunity to showcase and promote jazz choreography.
The event will feature the work of 13 dancemakers, including the legendary Luigi and NYC's Bob Boross, director of Bob Boross Freestyle Jazz Dance. Boross will teach a master class on Friday before the performance in the fluid, theatrical technique of Matt Mattox, an American-born, Europe–based icon of the jazz world (and popular Hollywood performer) who was once a protégé of Jack Cole. The class will offer a unique opportunity to dancers because, says Boross, “Mattox's technique is rarely seen or studied here in the US, although it has had a major impact on the European dance scene for the last 40 years.” Watch a video of Borross' teaching style here.
The master class is free and open to the public, scheduled for Friday, 10/19, 3–5pm, at NYC’s DANY studios. Interested dancers should sign up by emailing Marian Hyun: firstname.lastname@example.org
Welcome to the new dance-teacher.com. Now you can enjoy all the news and inspiration you've come to expect from Dance Teacher magazine in a captivating daily format—from your desktop, your phone and your tablet. Personal perspectives, exclusive photos, how-to technique videos, lesson plans and much more.
Dance-teacher.com is where the best in our field share their passion for dance education. Get the latest teaching advice, recommended methods and tools, career options and business solutions. For teachers and studio owners alike, whether your setting is a private studio, conservatory, the convention floor, college dance or the k-12 classroom. This is your community.
Dig in, we hope you like it! Produced by Dance Teacher magazine. Powered by RebelMouse.
When you think of a major basketball team's dancers or cheerleaders, you probably picture the Laker Girls—scantily clad, with shiny curls cascading down their backs. You definitely don't picture a group of 15 40-years-old-and-up "seniors," mean-mugging and ripping off breakaway pants. But the New York Liberty's Timeless Torches do exactly that, and they routinely bring down the house during halftime at the WNBA games where they perform.
The exhibit Radical Bodies: Anna Halprin, Simone Forti, Yvonne Rainer in California and New York, 1955–1972 is filled with exhibits, performances and conferences honoring the three postmodern dance living legends.
"I describe it as organized chaos," says Kimberly Rishi with a laugh, as she hunts for a quiet space inside her 12,000-square-foot studio in Ashburn, Virginia. In any given week, Studio Bleu Dance Center's 11 dance studios accommodate 800 enrolled students, 52 staff members, adults who take drop-in classes, plus kids in vocal and piano programs and an affiliated ballet conservatory. "It may look like there's always a party going on," Rishi says, "but that's not the case. There's a schedule, and everyone knows where they're headed."
When Rishi took the reins in 2003, there were only 80 students, 20 of whom were competitive. Today, 300 dancers are enrolled for the competition program. And just this winter, she launched a musical theater program, taking in triple-threat hopefuls in the area. While the Ashburn area (outside of Washington, DC) is burgeoning, faculty member Heidi Moe says Studio Bleu's growth is due to more than changing demographics. It's the direct result of Rishi's business experience and leadership ability.
Irish dancer Cara Butler remembers the helpful advice that her teacher Donny Golden gave her as a child to ease her mind before competitions.
"I remember that he was really good at calming my nerves as a kid. He would always say, 'Your nerves are a form of energy. Use it as fuel.' That was something, especially when I was younger, that would always get me through it. I find that even today I still get nervous about certain performances. But he taught me to just use it as energy and think of it as a good thing. If you're not nervous, where is the emotion and the passion? Nerves are good."